Caractéristiques de l'objet
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État
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Neuf sans étiquettes
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Commentaires du vendeur
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“70s Vintage (mint condition)”
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Brand
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Sundazed (Netherlands)
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Size Type
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Regular
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Department
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Women
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Type
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Sweater
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Sleeve Length
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Sleeveless
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Size
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M
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Color
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Black
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Style
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Vest
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MPN
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Bonnie Cashin, Edward Achour, Walter Albini, Emilio Schuberth, Romeo Gigli, Claude Montana, Alanui, Lauren Manoogian, Babaa, Cordera, Alexandra Golovanoff, Les Copains, Cecilie Bahnsen, Daniela Gregis, Magnolia Pearl, Maku Textiles, Marc Le Bihan, Beatrice Valenzuela, Markarian, Mirror Palais, Chopova Lowena, Saks Potts, Alessandro Vigilante, Loewe, Cottagecore
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Country/Region of Manufacture
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Netherlands
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Vintage
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Yes
Neuf sans étiquettes
SUNDAZED & OUTSIDE SOCIETY
Origin: Netherlands
70s Vintage (mint condition)
Tag: 42
Fabric: Knit
Composition: 70% Acrylic 30% Wool
Measurements (cm)
Chest: 38
Length: 61
Shoulder: 32
SKU: 004038
The vintage Dutch crochet vest stands as a testament to handcraft heritage, embodying an intricate synthesis of technical mastery and folk-inspired textile traditions. Composed of individually crocheted floral granny squares, the garment demonstrates a precise alignment of stitch tension and motif repetition, ensuring structural cohesion while preserving the artisanal depth inherent in handcrafted textiles. The black base provides a stark contrast to the meticulously arranged red, white, and olive green floral motifs, accentuating the interplay of negative space and geometric patterning. This juxtaposition of structured composition and organic, hand-worked detailing aligns with the textile-driven ethos of designers such as Alanui and Lauren Manoogian, both of whom emphasize artisanal craftsmanship within contemporary knitwear. The floral granny squares are symmetrically positioned, each exhibiting uniform tension and consistent motif execution, signaling a level of technical expertise that is rarely replicated in machine-made crochet. The meticulous handcrafting parallels the knitwear philosophy of Alexandra Golovanoff and Les Copains, where knitwear is elevated as a heritage-driven luxury medium. The button closures, covered in crochet detailing, reinforce the garment’s cohesive aesthetic, a design element reminiscent of Magnolia Pearl and Maku Textiles, both of which champion vintage-inspired embellishment and the preservation of historical textile techniques. Structurally, the vest maintains a squared-off silhouette with a deep V-neckline, balancing the romanticism of handcraft with the versatility required for contemporary layering. This equilibrium is reflected in the design approaches of Marc Le Bihan and Cecilie Bahnsen, who deconstruct historical textile methodologies into modern, wearable forms. The scalloped crochet edges further enhance the vest’s organic quality, reinforcing the narrative of intricate handwork while maintaining a refined, deliberate finish. From a historical perspective, this vest aligns with the European folk revival movement of the early 1970s, when handcrafted knitwear and crochet techniques were reintroduced into high fashion as a counterpoint to mass industrialization. This cultural backdrop connects it to the textile innovations of Romeo Gigli and Walter Albini, both of whom infused their avant-garde designs with artisanal craftsmanship. The heirloom quality of the floral motif work resonates with the decorative romanticism of Beatrice Valenzuela and Saks Potts, while its restrained color palette and geometric arrangement evoke the experimental textile reinterpretations of Chopova Lowena and Loewe, brands known for their ability to transform traditional textile techniques into contemporary silhouettes. Market-wise, this vest is positioned within the luxury-craft segment, appealing to collectors and connoisseurs who appreciate the intersection of historical textile artistry and modern styling. It speaks to a clientele that values handmade garments as wearable artifacts, aligning seamlessly with the slow fashion movement and the broader resurgence of artisanal knitwear in contemporary design.